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So it turns out, Joss Whedon is operating at a different speed than most current makers and consumers of TV. At a time when everyone wants to make snap judgments of new shows, and when television content creators feel pressure to make their concepts immediately understandable/irresistible, Whedon chose to lull us into thinking Dollhouse was going to remain a series about Eliza Dushku looking as though someone had hit her over the head with a shovel every week whenever she wasn’t dolled up like a boy-toy having ferocious sex with a “client.”
